Four years of the Higgs boson
Missed this didn’t I. On July 4, 2012, physicists at CERN announced that the Large Hadron Collider had found a Higgs-boson-like particle. Though the confirmation would only come in January 2013 (that it was the Higgs boson and not any other particle), July 4 is the celebrated date. I don’t exactly mark the occasion every year except to recap on whatever’s been happening in particle physics. And this year: everyone’s still looking for supersymmetry; there was widespread excitement about a possible new fundamental particle weighing about 750 GeV when data-taking began at the LHC in late May but strong rumours from within CERN have it that such a particle probably doesn’t exist (i.e. it’s vanishing in the new data-sets). Pity. The favoured way to anticipate what might come to be well before the final announcements are made in August is to keep an eye out for conference announcements in mid-July. If they’re made, it’s a strong giveaway that something’s been found.
Live-tweeting and timezones
I’ve a shitty internet connection at home in Delhi which means I couldn’t get to see the live-stream NASA put out of its control room or whatever as Juno executed its orbital insertion manoeuvre this morning. Fortunately, Twitter came to the rescue; NASA’s social media team had done such a great job of hyping up the insertion (deservingly so) that it seemed as if all the 480 accounts I followed were tweeting about it. I don’t believe I missed anything at all, except perhaps the sounds of applause. Twitter’s awesome that way, and I’ll say that even if it means I’m stating the obvious. One thing did strike me: all times (of the various events in the timeline) were published in UTC and EDT. This makes sense because converting from UTC to a local timezone is easy (IST = UTC + 5.30) while EDT corresponds to the US east cost. However, the thing about IST being UTC + 5.30 isn’t immediately apparent to everyone (at least not to me), and every so often I wish an account tweeting from India, such as a news agency’s, uses IST. I do it every time.
I don’t know why I hadn’t found Yat-kha earlier considering I listen to Huun Huur Tu so much, and Yat-kha is almost always among the recommendations (all bands specialising in throat-singing). And while Huun Huur Tu likes to keep their music traditional and true to its original compositional style, Yat-kha takes it a step further, banding its sound up with rock, and this tastes much better to me. With a voice like Albert Kuvezin’s, keeping things traditional can be a little disappointing – you can hear why in the song above. It’s called Kaa-khem; the same song by Huun Huur Tu is called Mezhegei. Bass evokes megalomania in me, and it’s all the more sensual when its rendition is accomplished with human voice, rising and falling. Another example of what I’m talking about is called Yenisei punk. Finally, this is where I’d suggest you stop if you’re looking for throat-singing made to sound more belligerent: I stumbled upon War horse by Tengger Cavalry, classified as nomadic folk metal. It’s terrible.
Fall of Light, a part 2
In fantasy trilogies, the first part benefits from establishing the premise and the third, from the denouement. If the second part has to benefit from anything at all, then it is the story itself, not the intensity of the stakes within its narrative. At least, that’s my takeaway from Fall of Light, the second book of Steven Erikson’s Kharkanas trilogy. Its predecessor, Forge of Darkness, established the kingdom of Kurald Galain and the various forces that shape its peoples and policies. Because the trilogy has been described as being a prequel (note: not the prequel) to Erikson’s epic Malazan Book of the Fallen series, and because of what we know about Kurald Galain in the series, the last book of the trilogy has its work cut out for it. But in the meantime, Fall of Light was an unexpectedly monotonous affair – and that was awesome. As a friend of mine has been wont to describe the Malazan series: Erikson is a master of raising the stakes. He does that in all of his books (including the Korbal Broach short-stories) and he does it really well. However, Fall of Light rode with the stakes as they were laid down at the end of the first book, through a plot that maintained the tension at all times. It’s neither eager to shed its burden nor is it eager to take on new ones. If you’ve read the Malazan series, I’d say he’s written another Deadhouse Gates, but better.
Oh, and this completes one of my bigger goals for 2016.